Why Not Right Now? by Jesus Culture
Jesus Culture's 2023 live album is urgent, hopeful worship, asking why we should wait for God to move.
Posts related to America and American culture.
Jesus Culture's 2023 live album is urgent, hopeful worship, asking why we should wait for God to move.
John Wick: Chapter 4 (2023), directed by Chad Stahelski, follows John as he wages a final war against the High Table. Keanu Reeves plays John Wick, who must defeat a powerful new enemy to earn his freedom or die trying.
Tony Fadell’s Build: An Unorthodox Guide to Making Things Worth Making distills lessons from his 30-year career in Silicon Valley, where he led teams creating the iPod, iPhone, and Nest Learning Thermostat.
Chris Tomlin's 2022 album Always is warm, singable worship about a God who stays close in every season.
TobyMac's 2022 album Life After Death is bright hip hop and pop rock about grief, loss, and stubborn hope.
Charlie Kirk’s The College Scam: How America's Universities Are Bankrupting and Brainwashing Away the Future of America's Youth challenges the value of traditional college education, arguing it burdens students with debt while promoting progressive ideologies.
Casting Crowns' 2022 album Healer is steady Christian rock about grace, scars, and the long road home.
Michael W. Smith's 2014 release, a set of songs written for the gathered church. I came to it well after release and have returned to it since.
Elevation Worship's 2022 album Lion is a long, bold live worship record about power, praise, and resurrection.
In from the Cold is an American thriller series. It aired on Netflix from 28 January 2022. Adam Glass created it. Margarita Levieva plays Jenny Franklin, a single mother on holiday in Spain whose past as a Soviet bioweapon agent catches up with her.
Skillet's 2022 album Dominion is loud, defiant hard rock about standing firm and refusing to bow.
Hanna is a British-American action thriller series. It aired on Amazon Prime Video from 29 March 2019 to 24 November 2021. David Farr created it, based on the 2011 film of the same name. Esmé Creed-Miles plays Hanna, a teenage girl raised in a remote forest by her father to be a skilled fighter.
Switchfoot's restless 2021 album, a record of questions and conviction, sharp guitars and honest doubt held together by hope.
Charlie Kirk’s The College Scam: How America's Universities Are Bankrupting and Brainwashing Away the Future of America's Youth challenges the value of traditional college education, arguing it burdens students with debt while promoting progressive ideologies.
Abigail Shrier's Irreversible Damage examines the rapid increase in teenage girls identifying as transgender. Shrier argues this surge is driven by social contagion, with online platforms like Tumblr and TikTok influencing girls struggling with anxiety or depression to identify as trans.
Elevation Worship's 2021 live album with Maverick City Music, a soulful, gospel-shaped set of praise and trust.
Bethel Music's 2021 live album, a generous gathering of worship voices around songs of return, belonging and praise.
Jesus Culture's 2020 second live volume keeps the church singing, with songs of freedom, courage and lifted eyes.
Bethel Music's 2020 live album is a long, hopeful set of revival songs, full of resurrection power and praise.
Fireflight's 2020 comeback is sharp Christian rock about identity, worth and holding your head up through the noise.
Homeland is an American spy thriller series. It aired on Showtime from 2 October 2011 to 26 April 2020. Howard Gordon and Alex Gansa created it. The show bases loosely on the Israeli series Prisoners of War. Claire Danes plays Carrie Mathison, a CIA officer with bipolar disorder.
Elevation Worship's 2020 live album turns loss into hope, anchored by its title song and the wide-open Blessing.
Jesus Culture's 2020 live worship record gathers a roomful of voices around songs of revival, trust and steady hope.
Charlie Kirk’s Right Wing Revolution: How to Beat the Woke and Save the West argues that “wokeism” threatens American freedom and traditional values.
Michael W. Smith's 2011 release, calm and patient instrumental writing. I found it some years after it appeared and was glad I did.