Worldwide Revival, Pt. 1 by Newsboys
Newsboys' 2024 worship record, the first half of a revival project, built on big choruses and a plain call to faith.
Duncan Phillips is the drummer and percussionist of Newsboys, having been a member since the mid 1990s and one of the band's longest serving players. He has remained through every lineup change.
Newsboys' 2024 worship record, the first half of a revival project, built on big choruses and a plain call to faith.
Newsboys' bright 2021 album, an anthemic call to hold firm in faith, full of big hooks and plain encouragement.
Newsboys United's 2019 record reunites two eras of the band for a bright set of arena-ready Christian pop rock.
A late discovery of Newsboys' 1999 album, a playful disco turn from a band better known for pop rock.
Newsboys' 1998 album, the first after a singer change, a bright and bold pop-rock record I came to years later.
Newsboys' 2016 album is upbeat pop rock that calls for a gentle uprising of love rather than noise and division.
A 1996 Newsboys record I found years later, the sixth album, bright Christian pop rock with a playful heart.
Newsboys' 2013 album leans into bright pop rock, a record about second chances and starting the day with God.
The Newsboys' bright 1994 album Going Public mixes pop rock and wit with songs of grace, an old record I found later.
The Newsboys' 2011 album leans into worship and anthem, a bold record built around one defiant title song.
Newsboys' bold 2010 reset, the first album with Michael Tait up front, full of big hooks and a clear call to start over.
The Newsboys' 2009 album is bright, hook-led pop rock about trust and rest, the last to feature Peter Furler up front.
Newsboys return to bright pop-rock on this 2006 album about mission and movement, led by Something Beautiful.
A late find: Newsboys' 2002 album Thrive is bright Christian pop rock about living fully, not just getting by.
Newsboys follow their worship turn with this warm 2004 album of praise, including Blessed Be Your Name.
Newsboys turn to congregational praise on this 2003 worship album, trading clever pop for songs the church can sing.