And If Our God Is for Us... by Chris Tomlin
Chris Tomlin's 2010 worship record, a confident set of modern hymns about a God who is for us.
Worship music is written for congregational praise, turning prayer and scripture into song. It ranges from quiet devotion to full-band anthems.
Chris Tomlin's 2010 worship record, a confident set of modern hymns about a God who is for us.
Bethel Music's first live album from 2010, spontaneous and unguarded worship recorded among the congregation.
Hillsong's 2010 live worship record, a warm and singable set built around grace given and received.
Jesus Culture's 2010 live worship album, long unhurried songs recorded in a room full of young voices.
Hillsong United's 2009 live worship album, urgent and youthful praise built for big, open singing.
Kutless trade their rock edge for a warm 2009 worship album of hymns and modern songs about faith holding firm.
Hillsong's 2009 live worship album is a wide, generous set of praise songs built for a singing congregation.
Jesus Culture's 2009 live album is long-form, hunger-driven worship led by Kim Walker-Smith's soaring voice.
Chris Tomlin's 2008 worship album turns plain songs of praise outward, toward the city and the wider world.
Hillsong United's 2008 double live album, taped around the world, collects two hours of youth worship into one big set.
Hillsong Worship's 2008 live album, recorded in Sydney, gathers a crowd of thousands around big, hopeful songs of praise.
Delirious?'s 2008 album questions easy comfort and points outward, mixing rock and worship with a searching heart.
Jesus Culture's 2008 live album spreads long, free worship songs across a conference night of sung praise.
Chris Tomlin's 2001 debut is plain, singable worship, an early sketch of the songs a generation would learn.
Jesus Culture's fervent 2007 live album captures young, unrestrained worship, including the now-beloved How He Loves.
Hillsong's 2007 live album exalts Christ as king and saviour, with the soaring crowd-favourite Hosanna.
Delirious?'s mid-nineties Cutting Edge recordings are raw, urgent worship that helped reshape a generation's praise.
Hillsong United's 2007 studio album reaches for indie-rock textures and gave the church Hosanna and Lead Me to the Cross.
Chris Tomlin's 2006 album adds more worship standards, including a stirring new take on Amazing Grace.
Delirious?'s 2001 album, a bold, restless rock record that pushed the band beyond worship into wider, stranger songs.
Hillsong's 2006 live album gave the church one of its most-sung anthems, a song of rescue and surrender.
Hillsong United's 2006 live album gathers a young church around bold songs of rescue, surrender, and standing firm.
Delirious? sharpen into a leaner rock band on this 2005 album about answering the call to go and serve.
A late find: Chris Tomlin's 2002 album Not to Us is early, singable worship about giving God the glory.
Hillsong United's 2005 live album pushes its youth worship outward, with mission-minded anthems for a generation.