Masters of Chant Chapter VI by Gregorian
Gregorian's 2007 album turns more modern hits into solemn chant, from a Queen anthem to a Coldplay ballad.
New age music aims for calm and reflection, using gentle textures, atmosphere, and space to create a meditative mood.
Gregorian's 2007 album turns more modern hits into solemn chant, from a Queen anthem to a Coldplay ballad.
Yanni's 1989 release, a set of melodic instrumental pieces. I found it some years after it appeared and was glad I did.
Enigma's 2006 album drifts into space and science, a mostly instrumental record about distance and wonder.
Gregorian's 2006 album reworks rock anthems as chant, with Sarah Brightman lending the famous opener Heroes.
A 1995 Enya record found later: layered Celtic and new age songs, calm and bright, built from many voices at once.
Yanni's 1988 release, calm and patient instrumental writing. I reached it late and it has stayed with me.
Enya's 2005 album returns to her layered, dreamlike sound, with songs in English, Latin, and an invented tongue.
Yanni's 1987 release, a set of melodic instrumental pieces. I found it some years after it appeared and was glad I did.
Yanni's 1986 release, a set of melodic instrumental pieces. I came to it well after release and have returned to it since.
Gregorian's 2004 album turns rock and gothic songs into solemn chant, finding the ache under famous music.
Yanni's 1984 release, wordless music for reflection. I found it some years after it appeared and was glad I did.
Jean-Michel Jarre's 1976 electronic landmark, six wordless movements I discovered long after they reshaped the genre.
Enya's 1988 breakthrough built a whole world from layered voices, a calm Celtic record I found years after its release.
Gregorian's 2003 album reworks famous pop and rock songs as solemn neo-Gregorian chant for a choir of voices.
Enigma's 2003 album drops the Gregorian chant for a brighter, more human electronic sound about travel and change.