Métamorphoses by Jean-Michel Jarre
A later discovery: Jean-Michel Jarre's 2000 album adds voices to his electronic sound, turning instrumentals into strange, warm songs.
New age music aims for calm and reflection, using gentle textures, atmosphere, and space to create a meditative mood.
A later discovery: Jean-Michel Jarre's 2000 album adds voices to his electronic sound, turning instrumentals into strange, warm songs.
Yanni's 2003 release, a set of melodic instrumental pieces. I reached it late and it has stayed with me.
Gregorian's 2013 album turns modern hits into solemn chant, from a U2 anthem to an R.E.M. ballad.
A 1996 Enigma record I found years later, the third album, where chant and electronics search for the eternal.
A 1981 electronic landmark I found years later, Jarre's Magnetic Fields, four parts of pure synthesiser music.
Gregorian's 2002 third volume of chant covers, a darker, leaner set I found while exploring the series.
Gregorian's 2012 Epic Chants reworks film and pop anthems as choral, monastic settings, grand and oddly soothing.
Yanni's 2000 release, calm and patient instrumental writing. I came to it well after release and have returned to it since.
Gregorian's 2011 album sets pop and rock songs to choral chant, familiar tunes reshaped into something solemn.
A late discovery of Enigma's 1993 album, a moody blend of world voices, chant, and downtempo electronica.
Jean-Michel Jarre's 1993 electronic suite on the theme of time, an instrumental record I came to long after it appeared.
Enya's calm 2000 album, layered Celtic-tinged songs about time and seasons, found by me years after it appeared.
Enya's 1992 reissue of her 1987 debut, a soundtrack to a Celtic history series, which I found years after its release.
Gregorian's 2010 record, rock and pop songs reworked as choral chant, solemn and oddly moving.
Jean-Michel Jarre's 1978 instrumental electronic suite, a flowing eight-part work I found decades after its release.
Gregorian's 2001 second volume of chant covers, a richer set I came to after the first record.
Gregorian's 2009 album recasts well-known rock and pop songs as solemn choral chant, calm and strangely moving.
Enigma's 1990 debut blends Gregorian chant with downtempo electronics, a strange hypnotic record I found years on.
A 1990 instrumental record by Jean-Michel Jarre, found years later: bright calypso pieces and a long, calm ocean drift.
Gregorian's 1999 album of pop and rock songs sung as chant, a curious record I stumbled on much later.
Enya's 2008 album draws on winter and Christmas, a calm, layered record of snow, light and quiet wonder.
Enigma's 2008 album mixes chant, beats and warm voices into a calm record about lives lived and faces worn.
Yanni's 1993 release, calm and patient instrumental writing. I found it some years after it appeared and was glad I did.
Yanni's 1992 release, wordless music for reflection. It came to me long after release and earned its place.
Enya's lush 1991 album deepened her signature sound, a serene Celtic record I found years after its release.