Masters of Chant Chapter VIII by Gregorian
Gregorian's 2011 album sets pop and rock songs to choral chant, familiar tunes reshaped into something solemn.
New age music aims for calm and reflection, using gentle textures, atmosphere, and space to create a meditative mood.
Gregorian's 2011 album sets pop and rock songs to choral chant, familiar tunes reshaped into something solemn.
A late discovery of Enigma's 1993 album, a moody blend of world voices, chant, and downtempo electronica.
Jean-Michel Jarre's 1993 electronic suite on the theme of time, an instrumental record I came to long after it appeared.
Enya's calm 2000 album, layered Celtic-tinged songs about time and seasons, found by me years after it appeared.
Enya's 1992 reissue of her 1987 debut, a soundtrack to a Celtic history series, which I found years after its release.
Gregorian's 2010 record, rock and pop songs reworked as choral chant, solemn and oddly moving.
Jean-Michel Jarre's 1978 instrumental electronic suite, a flowing eight-part work I found decades after its release.
Gregorian's 2001 second volume of chant covers, a richer set I came to after the first record.
Gregorian's 2009 album recasts well-known rock and pop songs as solemn choral chant, calm and strangely moving.
Enigma's 1990 debut blends Gregorian chant with downtempo electronics, a strange hypnotic record I found years on.
A 1990 instrumental record by Jean-Michel Jarre, found years later: bright calypso pieces and a long, calm ocean drift.
Gregorian's 1999 album of pop and rock songs sung as chant, a curious record I stumbled on much later.
Enya's 2008 album draws on winter and Christmas, a calm, layered record of snow, light and quiet wonder.
Enigma's 2008 album mixes chant, beats and warm voices into a calm record about lives lived and faces worn.
Enya's lush 1991 album deepened her signature sound, a serene Celtic record I found years after its release.
Gregorian's 2007 album turns more modern hits into solemn chant, from a Queen anthem to a Coldplay ballad.
Enigma's 2006 album drifts into space and science, a mostly instrumental record about distance and wonder.
Gregorian's 2006 album reworks rock anthems as chant, with Sarah Brightman lending the famous opener Heroes.
A 1995 Enya record found later: layered Celtic and new age songs, calm and bright, built from many voices at once.
Enya's 2005 album returns to her layered, dreamlike sound, with songs in English, Latin, and an invented tongue.
Gregorian's 2004 album turns rock and gothic songs into solemn chant, finding the ache under famous music.
Jean-Michel Jarre's 1976 electronic landmark, six wordless movements I discovered long after they reshaped the genre.
Enya's 1988 breakthrough built a whole world from layered voices, a calm Celtic record I found years after its release.
Gregorian's 2003 album reworks famous pop and rock songs as solemn neo-Gregorian chant for a choir of voices.
Enigma's 2003 album drops the Gregorian chant for a brighter, more human electronic sound about travel and change.