Kingdom Come by Rebecca St. James
Rebecca St. James's 2022 release, craft and polish in every chorus. I reached it late and it has stayed with me.
Christian rock carries the energy and instrumentation of rock music while drawing its lyrics from faith, doubt, and hope.
Rebecca St. James's 2022 release, craft and polish in every chorus. I reached it late and it has stayed with me.
Skillet's 2024 album, their first as an independent band, loud and direct with anthems built for the arena.
Newsboys' 2024 worship record, the first half of a revival project, built on big choruses and a plain call to faith.
Casting Crowns' 2022 album Healer is steady Christian rock about grace, scars, and the long road home.
Skillet's 2022 album Dominion is loud, defiant hard rock about standing firm and refusing to bow.
Newsboys' bright 2021 album, an anthemic call to hold firm in faith, full of big hooks and plain encouragement.
Fireflight's 2020 comeback is sharp Christian rock about identity, worth and holding your head up through the noise.
Rebecca St. James's 2011 release, melodic songs with a strong hook. I reached it late and it has stayed with me.
Skillet's brighter 1998 second album, a poppier turn for the band that I went back to discover.
Skillet's 2019 album is hard rock about rising from defeat, all big riffs and bigger choruses about winning through.
Newsboys United's 2019 record reunites two eras of the band for a bright set of arena-ready Christian pop rock.
A late discovery of Delirious?'s 1999 album, a bold step from worship band into ambitious British rock.
A late discovery of Relient K's 2001 album, fast, funny pop punk that hides real faith under its jokes.
Casting Crowns' 2018 record about laying down our own name and wanting only the name of Jesus to remain.
BarlowGirl's 2009 release, songs that build and push forward. I came to it well after release and have returned to it since.
Skillet's raw 1996 debut, the rough start of a long-running Christian rock band I traced back to.
A late discovery of Delirious?'s 1997 album, a raw and ambitious record that helped reshape British worship.
Newsboys' 1998 album, the first after a singer change, a bright and bold pop-rock record I came to years later.
Skillet's 2000 album, a heavier and more electronic turn for the band, a record I came to long after release.
Kutless's 2017 worship record gives well-loved praise songs a rock edge, steady and direct from start to finish.
The Newsboys' 1988 debut, the rough Australian beginning of a long band that I traced back to.
BarlowGirl's 2008 release, guitars with weight and drive. I found it some years after it appeared and was glad I did.
BarlowGirl's 2007 release, guitars with weight and drive. It came to me long after release and earned its place.
Casting Crowns' 2016 album is warm pop rock about taking the next faithful step rather than waiting for a grand plan.
Skillet's 2016 album is tight, hard rock built for arenas, a record about feeling invincible and refusing to quit.