The Book of Kells by Iona
Iona's 1992 album inspired by the ancient gospel manuscript, an ambitious record I found years later.
Celtic music draws on the folk traditions of Ireland, Scotland, and Wales, with airy melodies and an old, atmospheric sense of place.
Iona's 1992 album inspired by the ancient gospel manuscript, an ambitious record I found years later.
Enya's 2015 album, layered Celtic-tinged songs about journeys, islands, and the night sky, calm as ever.
Iona's 1990 Celtic Christian debut, a record of wind and water I came to long after it was made.
A later discovery: Iona's 2000 album folds Celtic folk and progressive rock into long, open instrumentals about faith and place.
Iona's 2011 double album weaves Celtic folk and prog rock into a long, sweeping work about the unseen world.
Enya's calm 2000 album, layered Celtic-tinged songs about time and seasons, found by me years after it appeared.
Enya's 1992 reissue of her 1987 debut, a soundtrack to a Celtic history series, which I found years after its release.
Iona's 1993 Celtic concept album, a voyage drawn from the legend of St Brendan, which I found long after its release.
Enya's 2008 album draws on winter and Christmas, a calm, layered record of snow, light and quiet wonder.
Iona's 1996 album is sweeping Celtic worship, weaving Irish melody and prog rock into a long, prayerful journey.
Enya's lush 1991 album deepened her signature sound, a serene Celtic record I found years after its release.
Iona's 2006 album weaves Celtic folk and progressive rock into long, soaring music about creation and grace.
A 1995 Enya record found later: layered Celtic and new age songs, calm and bright, built from many voices at once.
Enya's 2005 album returns to her layered, dreamlike sound, with songs in English, Latin, and an invented tongue.
Enya's 1988 breakthrough built a whole world from layered voices, a calm Celtic record I found years after its release.