Worship God by Rebecca St. James
Rebecca St. James's 2002 release, bright, well-built pop songs. I came to it well after release and have returned to it since.
Posts about music, concerts, albums, and artists.
Rebecca St. James's 2002 release, bright, well-built pop songs. I came to it well after release and have returned to it since.
A 1996 Enigma record I found years later, the third album, where chant and electronics search for the eternal.
Relient K's 2013 album is their brightest pop turn, a lighter record about love, doubt, and trying again.
Hillsong Worship's 2013 live album about faith found in broken places, recorded with a full church singing along.
Skillet's 2013 record turns the noise outward, a hard rock album about young people fighting to rise above fear and despair.
Michael W. Smith's 2002 release, music made for a room full of voices. I found it some years after it appeared and was glad I did.
Bethel Music's 2013 debut studio album, spacious worship about being carried by the love of God.
Newsboys' 2013 album leans into bright pop rock, a record about second chances and starting the day with God.
A later discovery: Hillsong United's 2000 live album captures the young worship band's early fire and plain devotion.
A 1981 electronic landmark I found years later, Jarre's Magnetic Fields, four parts of pure synthesiser music.
Hillsong United's 2013 album reworks worship through electronic textures, the home of the song Oceans.
Michael W. Smith's 2001 release, a set of songs written for the gathered church. I came to it well after release and have returned to it since.
Chris Tomlin's 2013 album sets bright, singable worship around the image of light against the dark.
The Newsboys' bright 1994 album Going Public mixes pop rock and wit with songs of grace, an old record I found later.
Jan Mulder's 2001 release, wordless music for reflection. I reached it late and it has stayed with me.
Jesus Culture's 2012 Live from New York is a long, fervent night of worship with Martin Smith and Kim Walker-Smith.
Gregorian's 2002 third volume of chant covers, a darker, leaner set I found while exploring the series.
Flyleaf's 2012 New Horizons is a heavy, hopeful album, the last with Lacey Sturm, full of fire and farewell.
Gregorian's 2012 Epic Chants reworks film and pop anthems as choral, monastic settings, grand and oddly soothing.
A later discovery: Iona's 2000 album folds Celtic folk and progressive rock into long, open instrumentals about faith and place.
TobyMac's 2012 album Eye on It blends Christian hip hop and pop rock with electronic colour and bright, hopeful hooks.
Hillsong Worship's 2012 live album Cornerstone gathers a great congregation around songs of grace, hope, and surrender.
Bethel Music's 2012 The Loft Sessions is an intimate, acoustic worship record, warm and unhurried in its tone.
Gary Moore's 2001 release, a record that leans on tone and touch. It came to me long after release and earned its place.
Yanni's 2000 release, calm and patient instrumental writing. I came to it well after release and have returned to it since.