Come Away by Jesus Culture
Jesus Culture's 2010 live worship album, long unhurried songs recorded in a room full of young voices.
Posts about music, concerts, albums, and artists.
Jesus Culture's 2010 live worship album, long unhurried songs recorded in a room full of young voices.
Gregorian's 2001 second volume of chant covers, a richer set I came to after the first record.
Fireflight's 2010 album, ten tracks of melodic Christian rock about holding on through the hard stretch.
TobyMac's 2010 record, a bright mix of hip hop and pop rock with hope wired into every beat.
Hillsong United's 2009 live worship album, urgent and youthful praise built for big, open singing.
U2's atmospheric 1984 album, the record where they reached past anthems toward something stranger, found by me much later.
Casting Crowns' 2009 album is earnest pop rock about telling and showing grace, anchored by Glorious Day.
Flyleaf's 2009 second album is heavier and more ambitious, a loud meditation on death, dreams, and grace.
Switchfoot's 2009 record is a lean rock album about holding firm in the storm, fierce in sound and steady in hope.
Kutless trade their rock edge for a warm 2009 worship album of hymns and modern songs about faith holding firm.
Relient K's 2009 album is bright, bittersweet pop punk about moving on after a break-up without letting it stop you.
Gregorian's 2009 album recasts well-known rock and pop songs as solemn choral chant, calm and strangely moving.
Skillet's 2009 breakthrough is loud, anthemic hard rock about fighting through the dark and waking up alive.
Hillsong's 2009 live worship album is a wide, generous set of praise songs built for a singing congregation.
TobyMac's 2001 solo debut, a bright mix of hip hop and pop rock that I only found years later and now return to often.
Enigma's 1990 debut blends Gregorian chant with downtempo electronics, a strange hypnotic record I found years on.
The Newsboys' 2009 album is bright, hook-led pop rock about trust and rest, the last to feature Peter Furler up front.
Jesus Culture's 2009 live album is long-form, hunger-driven worship led by Kim Walker-Smith's soaring voice.
A 1990 instrumental record by Jean-Michel Jarre, found years later: bright calypso pieces and a long, calm ocean drift.
U2's 2009 album is their most experimental in years, restless rock searching for the line where sky meets sea.
U2's 1981 second album is their most openly spiritual, a raw, searching record I came to long after its release.
Gregorian's 1999 album of pop and rock songs sung as chant, a curious record I stumbled on much later.
Newsboys' 1992 album catches the band early, a bright, cheeky pop rock record about plain, open faith.
Enya's 2008 album draws on winter and Christmas, a calm, layered record of snow, light and quiet wonder.
U2's warm 2000 return to song and heart, an album I revisited and found wiser than I remembered.