Have It All by Bethel Music
Bethel Music's 2016 live album is a generous worship set about surrender, asking God to have it all.
Posts about music, concerts, albums, and artists.
Bethel Music's 2016 live album is a generous worship set about surrender, asking God to have it all.
Newsboys' 2016 album is upbeat pop rock that calls for a gentle uprising of love rather than noise and division.
Iona's 1992 album inspired by the ancient gospel manuscript, an ambitious record I found years later.
Elevation Worship's 2016 live album is a bold worship set about heaven touching earth, led by O Come to the Altar.
Jesus Culture's 2016 live album is a stirring worship set about a presence that fills a room and echoes outward.
Hans Zimmer's 2006 release, a cinematic score built to carry a story. I came to it well after release and have returned to it since.
Coldplay's joyful 2015 album, a bright farewell of sorts that I discovered well after its release.
Gregorian's 2015 album, the last of the Masters of Chant series, pop songs reset as choral chant.
Enya's 2015 album, layered Celtic-tinged songs about journeys, islands, and the night sky, calm as ever.
Kutless's 2015 album, contemporary worship driven by Christian rock, songs of giving everything over to God.
Gary Moore's 2006 release, expressive playing rooted in the blues. It came to me long after release and earned its place.
Jean-Michel Jarre's 2015 album, a sweeping collaboration record where the electronic pioneer works with many artists.
Rebecca St. James's 2005 release, bright, well-built pop songs. I found it some years after it appeared and was glad I did.
TobyMac's 2015 album, bright Christian hip hop and pop rock about living each day as if it counts.
Martin Mans's 2005 release, a rich set of works for the king of instruments. I came to it well after release and have returned to it since.
Lauren Daigle's 2015 debut, soulful Christian pop and pop rock built around grace that is hard to grasp.
Hillsong Worship's 2015 live album, recorded at the Sydney conference, a wide and singable set built for a full room.
Hillsong United's early 2001 live album, raw youth praise full of energy, found by me years after it appeared.
Hillsong United's 2015 album, an atmospheric worship record about mercy that outlasts the empires we build.
Jean-Michel Jarre's 1984 album built from sampled human voices, a strange record I discovered long after.
Hans Zimmer's 2005 release, an atmospheric film score of mood and motion. I reached it late and it has stayed with me.
Bethel Music's 2015 live album, recorded outdoors at Shasta Lake, a steady set about standing firm in trust.
Enigma's calm 2000 album, chant samples woven through electronic moods, found by me years after it appeared.
Elevation Worship's live album, recorded before sixteen thousand voices, a big and hopeful set about awe restored.
BarlowGirl's 2005 release, guitars with weight and drive. I reached it late and it has stayed with me.