The Power of Your Love by Hillsong Worship
Hillsong's 1992 debut live worship album, the first of a long line, which I came to long after it was recorded.
Posts about music, concerts, albums, and artists.
Hillsong's 1992 debut live worship album, the first of a long line, which I came to long after it was recorded.
U2's experimental 1993 record trades stadium rock for electronic textures, a strange and rewarding album I found years later.
Gregorian's 2011 album sets pop and rock songs to choral chant, familiar tunes reshaped into something solemn.
The Newsboys' 2011 album leans into worship and anthem, a bold record built around one defiant title song.
Casting Crowns' 2011 album writes plainly about grace and worth, story songs that meet people where they hurt.
Bethel Music's 2011 live album gathers warm, spacious worship from a single church, songs that grew in the room.
Coldplay's bright, restless 2011 concept album, a record I came to late and found bolder than its reputation.
Switchfoot's 2011 rock album holds doubt and faith side by side, restless songs about living with both at once.
Hillsong's 2011 live worship album rests on one steady promise, big congregational songs about God's ability.
Iona's 2011 double album weaves Celtic folk and prog rock into a long, sweeping work about the unseen world.
Elevation Worship's 2011 debut live album brings bright, bold church songs from a young Charlotte congregation.
A late discovery of Enigma's 1993 album, a moody blend of world voices, chant, and downtempo electronica.
Jean-Michel Jarre's 1993 electronic suite on the theme of time, an instrumental record I came to long after it appeared.
Jesus Culture's 2011 double live album captures a loud, hungry worship night, raw and long and full of fire.
Hillsong United's 2011 studio album turns inward and atmospheric, worship songs shaped by quiet and weight.
A late discovery of U2's 1988 album, a sprawling live and studio record about America, roots, and rock itself.
Enya's calm 2000 album, layered Celtic-tinged songs about time and seasons, found by me years after it appeared.
Chris Tomlin's 2010 worship record, a confident set of modern hymns about a God who is for us.
Enya's 1992 reissue of her 1987 debut, a soundtrack to a Celtic history series, which I found years after its release.
Gregorian's 2010 record, rock and pop songs reworked as choral chant, solemn and oddly moving.
Bethel Music's first live album from 2010, spontaneous and unguarded worship recorded among the congregation.
Iona's 1993 Celtic concept album, a voyage drawn from the legend of St Brendan, which I found long after its release.
Jean-Michel Jarre's 1978 instrumental electronic suite, a flowing eight-part work I found decades after its release.
Newsboys' bold 2010 reset, the first album with Michael Tait up front, full of big hooks and a clear call to start over.
Hillsong's 2010 live worship record, a warm and singable set built around grace given and received.