Nothing Is Wasted by Elevation Worship
Elevation Worship's 2013 live album about a God who wastes no part of our pain, recorded with a roaring crowd.
Posts about music, concerts, albums, and artists.
Elevation Worship's 2013 live album about a God who wastes no part of our pain, recorded with a roaring crowd.
Gregorian's 2013 album turns modern hits into solemn chant, from a U2 anthem to an R.E.M. ballad.
A 1996 Enigma record I found years later, the third album, where chant and electronics search for the eternal.
Relient K's 2013 album is their brightest pop turn, a lighter record about love, doubt, and trying again.
Hillsong Worship's 2013 live album about faith found in broken places, recorded with a full church singing along.
Skillet's 2013 record turns the noise outward, a hard rock album about young people fighting to rise above fear and despair.
Bethel Music's 2013 debut studio album, spacious worship about being carried by the love of God.
Newsboys' 2013 album leans into bright pop rock, a record about second chances and starting the day with God.
A later discovery: Hillsong United's 2000 live album captures the young worship band's early fire and plain devotion.
A 1981 electronic landmark I found years later, Jarre's Magnetic Fields, four parts of pure synthesiser music.
Hillsong United's 2013 album reworks worship through electronic textures, the home of the song Oceans.
Chris Tomlin's 2013 album sets bright, singable worship around the image of light against the dark.
The Newsboys' bright 1994 album Going Public mixes pop rock and wit with songs of grace, an old record I found later.
Jesus Culture's 2012 Live from New York is a long, fervent night of worship with Martin Smith and Kim Walker-Smith.
Gregorian's 2002 third volume of chant covers, a darker, leaner set I found while exploring the series.
Flyleaf's 2012 New Horizons is a heavy, hopeful album, the last with Lacey Sturm, full of fire and farewell.
Gregorian's 2012 Epic Chants reworks film and pop anthems as choral, monastic settings, grand and oddly soothing.
A later discovery: Iona's 2000 album folds Celtic folk and progressive rock into long, open instrumentals about faith and place.
TobyMac's 2012 album Eye on It blends Christian hip hop and pop rock with electronic colour and bright, hopeful hooks.
Hillsong Worship's 2012 live album Cornerstone gathers a great congregation around songs of grace, hope, and surrender.
Bethel Music's 2012 The Loft Sessions is an intimate, acoustic worship record, warm and unhurried in its tone.
Hillsong United's 2012 Live in Miami captures a long, electric night of worship with a young, charged sound.
Fireflight's 2012 album Now pairs hard, driving rock with a powerful female vocal and lyrics about resilience and hope.
Kutless return in 2012 with a heavier, worship-minded record that pairs hard guitars with songs of faith and endurance.
The 2012 debut from for KING & COUNTRY pairs cinematic pop rock with hopeful lyrics about change, longing, and grace.