Who We Are: The Head and the Heart by Fireflight
Fireflight's 2020 comeback is sharp Christian rock about identity, worth and holding your head up through the noise.
Posts about music, concerts, albums, and artists.
Fireflight's 2020 comeback is sharp Christian rock about identity, worth and holding your head up through the noise.
Yanni's 2011 release, a set of melodic instrumental pieces. It came to me long after release and earned its place.
Rebecca St. James's 2011 release, melodic songs with a strong hook. I reached it late and it has stayed with me.
Elevation Worship's 2020 live album turns loss into hope, anchored by its title song and the wide-open Blessing.
Jesus Culture's 2020 live worship record gathers a roomful of voices around songs of revival, trust and steady hope.
Michael W. Smith's 2011 release, calm and patient instrumental writing. I found it some years after it appeared and was glad I did.
Hugh Laurie's 2011 release, a record that leans on tone and touch. I came to it well after release and have returned to it since.
A late discovery of Jean-Michel Jarre's 1988 album, electronic music that folds machines and world sounds together.
Coldplay's 2019 double album wanders far from arena pop into gospel, protest, and prayer for ordinary days.
Hillsong's 1997 live album led by Darlene Zschech, a foundational worship record I came to much later.
Elevation Worship's 2019 record reworks recent songs into a quieter, more reflective set of modern worship.
Yanni's 2010 release, a set of melodic instrumental pieces. It came to me long after release and earned its place.
A later discovery of Hillsong United's 2002 live record, an early, eager set of youth worship anthems.
Skillet's brighter 1998 second album, a poppier turn for the band that I went back to discover.
Skillet's 2019 album is hard rock about rising from defeat, all big riffs and bigger choruses about winning through.
Michael W. Smith's 2010 release, craft and polish in every chorus. I reached it late and it has stayed with me.
Newsboys United's 2019 record reunites two eras of the band for a bright set of arena-ready Christian pop rock.
A late discovery of Delirious?'s 1999 album, a bold step from worship band into ambitious British rock.
Hillsong United's 2019 live worship record gathers a congregation around songs of grace, fire, and being found.
Hans Zimmer's 2010 release, a cinematic score built to carry a story. I came to it well after release and have returned to it since.
Bethel Music's 2019 live record gathers a worship collective around songs of resurrection and an empty grave.
A late discovery of Relient K's 2001 album, fast, funny pop punk that hides real faith under its jokes.
Yanni's 2009 release, bright, well-built pop songs. I found it some years after it appeared and was glad I did.
Switchfoot's 2019 alternative rock record is a plea to choose love as the first language we speak to one another.
A late discovery of Newsboys' 1999 album, a playful disco turn from a band better known for pop rock.