Arriving by Chris Tomlin
Chris Tomlin's 2004 album gathered the modern worship songs, including How Great Is Our God, that churches still sing.
Posts about music, concerts, albums, and artists.
Chris Tomlin's 2004 album gathered the modern worship songs, including How Great Is Our God, that churches still sing.
A 2000 Delirious? record found later: a continuous worship rock set built around recurring glow-in-the-dark interludes.
Michael W. Smith's 1984 release, melodic songs with a strong hook. I came to it well after release and have returned to it since.
Hillsong's 2004 live worship album leans into gratitude, gathering a congregation around thanks for grace.
Gary Moore's 1984 release, expressive playing rooted in the blues. It came to me long after release and earned its place.
Michael W. Smith's 1983 release, melodic songs with a strong hook. I came to it well after release and have returned to it since.
Jean-Michel Jarre's 1976 electronic landmark, six wordless movements I discovered long after they reshaped the genre.
Gary Moore's 1982 release, a record that leans on tone and touch. I reached it late and it has stayed with me.
Hillsong United's 2004 live album captures a youth congregation singing bold, guitar-driven worship.
A 2001 Skillet album found later: heavier, electronic-tinged Christian rock about faith standing apart from the crowd.
Kutless step from hard rock toward melody on this 2004 album about being known by name in a faceless crowd.
ABBA's 1981 release, melodic songs with a strong hook. I found it some years after it appeared and was glad I did.
Enya's 1988 breakthrough built a whole world from layered voices, a calm Celtic record I found years after its release.
ABBA's 1980 release, bright, well-built pop songs. It came to me long after release and earned its place.
The British band Delirious? balance arena rock and honest worship on this ambitious 2003 album about grace.
Gregorian's 2003 album reworks famous pop and rock songs as solemn neo-Gregorian chant for a choir of voices.
Skillet's 2003 record where they sharpen into a heavier rock band while keeping faith at the centre.
The 2003 debut from a band of church volunteers, full of plain-spoken songs about honesty, calling, and grace.
ABBA's 1979 release, craft and polish in every chorus. It came to me long after release and earned its place.
Enigma's 2003 album drops the Gregorian chant for a brighter, more human electronic sound about travel and change.
Gary Moore's 1978 release, guitar-led music with real feeling. I came to it well after release and have returned to it since.
Hillsong's 2003 live worship album gathers a congregation around songs of trust, including the quiet anchor Still.
Relient K's witty 2003 pop-punk record hides real heart and faith under its fast hooks and silly jokes.
ABBA's 1977 release, craft and polish in every chorus. I came to it well after release and have returned to it since.
Newsboys turn to congregational praise on this 2003 worship album, trading clever pop for songs the church can sing.