Cutting Edge by Delirious?
Delirious?'s mid-nineties Cutting Edge recordings are raw, urgent worship that helped reshape a generation's praise.
Posts about music, concerts, albums, and artists.
Delirious?'s mid-nineties Cutting Edge recordings are raw, urgent worship that helped reshape a generation's praise.
Michael W. Smith's 1990 release, melodic songs with a strong hook. It came to me long after release and earned its place.
Hillsong United's 2007 studio album reaches for indie-rock textures and gave the church Hosanna and Lead Me to the Cross.
Relient K's 2007 album balances polished pop-punk fun with their most heartfelt songs of grace and devotion.
TobyMac's 2007 album mixes rap, rock, and pop into a bright, generous record about love and not losing your soul.
Switchfoot loosen up on this scrappy, restless 2006 album, kicking against everything that drags the spirit down.
Gary Moore's 1990 release, guitar-led music with real feeling. I reached it late and it has stayed with me.
Newsboys return to bright pop-rock on this 2006 album about mission and movement, led by Something Beautiful.
Iona's 2006 album weaves Celtic folk and progressive rock into long, soaring music about creation and grace.
Skillet's 2006 breakthrough pairs huge hooks with strings and faith, the album that made them arena-sized.
Yanni's 1989 release, a set of melodic instrumental pieces. I found it some years after it appeared and was glad I did.
Chris Tomlin's 2006 album adds more worship standards, including a stirring new take on Amazing Grace.
Enigma's 2006 album drifts into space and science, a mostly instrumental record about distance and wonder.
Delirious?'s 2001 album, a bold, restless rock record that pushed the band beyond worship into wider, stranger songs.
Fireflight's 2006 debut pairs hard guitars with Dawn Michele's soaring voice in songs about courage and choice.
Hillsong's 2006 live album gave the church one of its most-sung anthems, a song of rescue and surrender.
Gregorian's 2006 album reworks rock anthems as chant, with Sarah Brightman lending the famous opener Heroes.
Kutless return to harder rock on this 2006 album, balancing big riffs with the tender Promise of a Lifetime.
Hillsong United's 2006 live album gathers a young church around bold songs of rescue, surrender, and standing firm.
Gary Moore's 1989 release, expressive playing rooted in the blues. It came to me long after release and earned its place.
A 1995 Enya record found later: layered Celtic and new age songs, calm and bright, built from many voices at once.
Yanni's 1988 release, calm and patient instrumental writing. I reached it late and it has stayed with me.
Sarah Brightman's 1988 release, grand and unhurried singing. I found it some years after it appeared and was glad I did.
Enya's 2005 album returns to her layered, dreamlike sound, with songs in English, Latin, and an invented tongue.
Delirious? sharpen into a leaner rock band on this 2005 album about answering the call to go and serve.