Rebecca St. James by Rebecca St. James
Rebecca St. James's 1994 release, melodic songs with a strong hook. I reached it late and it has stayed with me.
Posts about music, concerts, albums, and artists.
Rebecca St. James's 1994 release, melodic songs with a strong hook. I reached it late and it has stayed with me.
Hillsong Worship's 2008 live album, recorded in Sydney, gathers a crowd of thousands around big, hopeful songs of praise.
Coldplay's 2008 album reaches for bold colour and history, a bright, restless record about power, doubt and time.
Hans Zimmer's 1994 release, a cinematic score built to carry a story. I found it some years after it appeared and was glad I did.
Iona's 1996 album is sweeping Celtic worship, weaving Irish melody and prog rock into a long, prayerful journey.
Delirious?'s 2008 album questions easy comfort and points outward, mixing rock and worship with a searching heart.
Jesus Culture's 2008 live album spreads long, free worship songs across a conference night of sung praise.
Yanni's 1993 release, calm and patient instrumental writing. I found it some years after it appeared and was glad I did.
Chris Tomlin's 2001 debut is plain, singable worship, an early sketch of the songs a generation would learn.
Fireflight's 2008 album pairs hard rock guitars with a strong voice and songs about standing firm under pressure.
Sarah Brightman's 1993 release, a crossover of pop and the classical voice. I reached it late and it has stayed with me.
U2's 1980 debut catches four young men finding their sound, a raw, ringing record about growing up.
Yanni's 1992 release, wordless music for reflection. It came to me long after release and earned its place.
Enya's lush 1991 album deepened her signature sound, a serene Celtic record I found years after its release.
Michael W. Smith's 1992 release, bright, well-built pop songs. I came to it well after release and have returned to it since.
Gregorian's 2007 album turns more modern hits into solemn chant, from a Queen anthem to a Coldplay ballad.
Kutless's 2002 self-titled debut is hard-edged Christian rock, loud and honest about doubt, grace, and need.
Jesus Culture's fervent 2007 live album captures young, unrestrained worship, including the now-beloved How He Loves.
Casting Crowns' 2007 album sits in the gap between worship and daily life, anchored by the grace of East to West.
Gary Moore's 1992 release, a record that leans on tone and touch. It came to me long after release and earned its place.
Hillsong's 2007 live album exalts Christ as king and saviour, with the soaring crowd-favourite Hosanna.
U2's fierce 1983 album turned protest into anthems, the record where the young band found its conscience and fire.
Sarah Brightman's 1990 release, a crossover of pop and the classical voice. I found it some years after it appeared and was glad I did.
Flyleaf's raw 2005 debut pairs heavy alternative metal with searching, faith-haunted lyrics about pain and hope.
Switchfoot's 2000 album, the warm pre-fame record where their best-loved early songs first took shape.