Rattle and Hum by U2
A late discovery of U2's 1988 album, a sprawling live and studio record about America, roots, and rock itself.
Posts about music, concerts, albums, and artists.
A late discovery of U2's 1988 album, a sprawling live and studio record about America, roots, and rock itself.
Gary Moore's 1999 release, a record that leans on tone and touch. I found it some years after it appeared and was glad I did.
Enya's calm 2000 album, layered Celtic-tinged songs about time and seasons, found by me years after it appeared.
Chris Tomlin's 2010 worship record, a confident set of modern hymns about a God who is for us.
Enya's 1992 reissue of her 1987 debut, a soundtrack to a Celtic history series, which I found years after its release.
Gregorian's 2010 record, rock and pop songs reworked as choral chant, solemn and oddly moving.
Sarah Brightman's 1998 release, grand and unhurried singing. I found it some years after it appeared and was glad I did.
Bethel Music's first live album from 2010, spontaneous and unguarded worship recorded among the congregation.
Iona's 1993 Celtic concept album, a voyage drawn from the legend of St Brendan, which I found long after its release.
Rebecca St. James's 1998 release, craft and polish in every chorus. It came to me long after release and earned its place.
Jean-Michel Jarre's 1978 instrumental electronic suite, a flowing eight-part work I found decades after its release.
Newsboys' bold 2010 reset, the first album with Michael Tait up front, full of big hooks and a clear call to start over.
Michael W. Smith's 1998 release, melodic songs with a strong hook. I found it some years after it appeared and was glad I did.
Hillsong's 2010 live worship record, a warm and singable set built around grace given and received.
Jesus Culture's 2010 live worship album, long unhurried songs recorded in a room full of young voices.
Gregorian's 2001 second volume of chant covers, a richer set I came to after the first record.
Sarah Brightman's 1997 release, a crossover of pop and the classical voice. I came to it well after release and have returned to it since.
Fireflight's 2010 album, ten tracks of melodic Christian rock about holding on through the hard stretch.
TobyMac's 2010 record, a bright mix of hip hop and pop rock with hope wired into every beat.
Hillsong United's 2009 live worship album, urgent and youthful praise built for big, open singing.
U2's atmospheric 1984 album, the record where they reached past anthems toward something stranger, found by me much later.
Rebecca St. James's 1997 release, bright, well-built pop songs. I came to it well after release and have returned to it since.
Casting Crowns' 2009 album is earnest pop rock about telling and showing grace, anchored by Glorious Day.
Flyleaf's 2009 second album is heavier and more ambitious, a loud meditation on death, dreams, and grace.
Switchfoot's 2009 record is a lean rock album about holding firm in the storm, fierce in sound and steady in hope.