Live in Miami by Hillsong United
Hillsong United's 2012 Live in Miami captures a long, electric night of worship with a young, charged sound.
Posts about music, concerts, albums, and artists.
Hillsong United's 2012 Live in Miami captures a long, electric night of worship with a young, charged sound.
Fireflight's 2012 album Now pairs hard, driving rock with a powerful female vocal and lyrics about resilience and hope.
Sarah Brightman's 2000 release, a crossover of pop and the classical voice. I came to it well after release and have returned to it since.
Kutless return in 2012 with a heavier, worship-minded record that pairs hard guitars with songs of faith and endurance.
The 2012 debut from for KING & COUNTRY pairs cinematic pop rock with hopeful lyrics about change, longing, and grace.
Hillsong's 1992 debut live worship album, the first of a long line, which I came to long after it was recorded.
U2's experimental 1993 record trades stadium rock for electronic textures, a strange and rewarding album I found years later.
Rebecca St. James's 2000 release, bright, well-built pop songs. I reached it late and it has stayed with me.
Gregorian's 2011 album sets pop and rock songs to choral chant, familiar tunes reshaped into something solemn.
The Newsboys' 2011 album leans into worship and anthem, a bold record built around one defiant title song.
Michael W. Smith's 2000 release, wordless music for reflection. I came to it well after release and have returned to it since.
Casting Crowns' 2011 album writes plainly about grace and worth, story songs that meet people where they hurt.
Bethel Music's 2011 live album gathers warm, spacious worship from a single church, songs that grew in the room.
Coldplay's bright, restless 2011 concept album, a record I came to late and found bolder than its reputation.
Switchfoot's 2011 rock album holds doubt and faith side by side, restless songs about living with both at once.
Jan Mulder's 2000 release, wordless music for reflection. It came to me long after release and earned its place.
Hillsong's 2011 live worship album rests on one steady promise, big congregational songs about God's ability.
Iona's 2011 double album weaves Celtic folk and prog rock into a long, sweeping work about the unseen world.
Elevation Worship's 2011 debut live album brings bright, bold church songs from a young Charlotte congregation.
Hans Zimmer's 2000 release, an atmospheric film score of mood and motion. I came to it well after release and have returned to it since.
A late discovery of Enigma's 1993 album, a moody blend of world voices, chant, and downtempo electronica.
Jean-Michel Jarre's 1993 electronic suite on the theme of time, an instrumental record I came to long after it appeared.
Jesus Culture's 2011 double live album captures a loud, hungry worship night, raw and long and full of fire.
Michael W. Smith's 1999 release, bright, well-built pop songs. It came to me long after release and earned its place.
Hillsong United's 2011 studio album turns inward and atmospheric, worship songs shaped by quiet and weight.