Firedove by Anna Lapwood
Anna Lapwood's 2025 release, a rich set of works for the king of instruments. It came to me long after release and earned its place.
Posts about music, concerts, albums, and artists.
Anna Lapwood's 2025 release, a rich set of works for the king of instruments. It came to me long after release and earned its place.
Jan Mulder's 2024 release, a set of melodic instrumental pieces. I came to it well after release and have returned to it since.
Hans Zimmer's 2024 release, a cinematic score built to carry a story. I came to it well after release and have returned to it since.
Jan Mulder's 2025 release, a set of melodic instrumental pieces. It came to me long after release and earned its place.
Dax's 2024 release, direct and personal writing over steady beats. I found it some years after it appeared and was glad I did.
Anna Lapwood's 2023 release, a rich set of works for the king of instruments. It came to me long after release and earned its place.
Jesus Culture's 2025 live album gathers their worship leaders for a record built around the long, unhurried moment of praise.
I hope heaven has a window, you can watch your children grow; And hear your message echo from below
Rebecca St. James's 2022 release, craft and polish in every chorus. I reached it late and it has stayed with me.
Jan Mulder's 2021 release, calm and patient instrumental writing. I found it some years after it appeared and was glad I did.
Bethel Music's 2025 live worship album, a recent record I came to a little after its release.
TobyMac's 2025 album mixes hip hop, pop and soul into a hopeful record about keeping your eyes fixed past the present.
Chris Tomlin's 2025 worship album returns to plain praise, with nature interludes threaded between songs built for the congregation.
Hans Zimmer's 2021 release, orchestral writing made to serve the screen. I came to it well after release and have returned to it since.
Dax's 2021 release, plain-spoken verses with a clear message. I reached it late and it has stayed with me.
Anna Lapwood's 2021 release, stately playing that fills the room. I reached it late and it has stayed with me.
ABBA's 2021 release, melodic songs with a strong hook. It came to me long after release and earned its place.
Skillet's 2024 album, their first as an independent band, loud and direct with anthems built for the arena.
Yanni's 2020 release, a set of melodic instrumental pieces. I reached it late and it has stayed with me.
Coldplay's 2024 album, a soft and hopeful companion to their earlier work, reaching for warmth and unity.
Jan Mulder's 2019 release, wordless music for reflection. I came to it well after release and have returned to it since.
Sarah Brightman's 2018 release, a crossover of pop and the classical voice. It came to me long after release and earned its place.
Michael W. Smith's 2018 release, music made for a room full of voices. I reached it late and it has stayed with me.
Elevation Worship's 2024 live album, a long and generous set of praise recorded with a full room and a full band.
Newsboys' 2024 worship record, the first half of a revival project, built on big choruses and a plain call to faith.